飞屋环游记的英文观后感 篇一
"Up" is a heartwarming and adventurous film that takes viewers on a journey filled with laughter, tears, and valuable life lessons. This animated masterpiece, directed by Pete Docter and Bob Peterson, tells the story of an elderly man named Carl Fredricksen who fulfills his lifelong dream of traveling to South America by attaching thousands of balloons to his house. Along the way, he encounters various obstacles and makes unexpected friendships that change his life forever.
One of the most striking aspects of "Up" is its ability to evoke a wide range of emotions. From the very beginning, the film tugs at the heartstrings as it portrays Carl's deep love for his late wife, Ellie. This love is beautifully depicted through a montage that showcases their life together, capturing both the joys and sorrows they experienced. The emotional impact of this sequence is so powerful that it brings tears to the eyes of even the toughest viewers.
As the story progresses, the film seamlessly transitions from heartwarming moments to thrilling adventures. Carl's encounter with a persistent and enthusiastic Wilderness Explorer named Russell adds a touch of humor to the film, providing much-needed comic relief. The duo's quest to reach Paradise Falls, a fictional location in South America, is filled with unexpected twists and turns that keep viewers on the edge of their seats. The stunning animation, combined with a captivating storyline, creates a truly immersive experience that transports viewers into the world of "Up."
In addition to its emotional depth and thrilling plot, "Up" also delivers powerful messages about love, friendship, and the importance of embracing life's adventures. Carl's relationship with Russell teaches him the value of companionship and the joy that can be found in unexpected friendships. The film reminds viewers that it is never too late to pursue one's dreams and that life's greatest adventures often lie in the most unexpected places.
Furthermore, "Up" explores the themes of loss and grief in a sensitive and heartfelt manner. Through Carl's journey, the film shows the healing power of accepting and letting go of the past. It encourages viewers to cherish the memories of loved ones while also finding the strength to move forward and seek new experiences.
In conclusion, "Up" is a remarkable film that captivates audiences with its emotional depth, thrilling adventures, and powerful messages. It reminds viewers of the importance of love, friendship, and embracing life's adventures. Through stunning animation and a compelling storyline, this film takes viewers on a journey that will leave a lasting impact. "Up" is a true masterpiece that deserves its place among the greatest animated films of all time.
飞屋环游记的英文观后感 篇二
"Up" is a film that defies expectations and leaves a lasting impression. Directed by Pete Docter and Bob Peterson, this animated adventure takes viewers on an emotional rollercoaster, filled with laughter, tears, and valuable life lessons. From its unique storytelling technique to its stunning animation, "Up" is a true cinematic masterpiece.
One of the most remarkable aspects of "Up" is its ability to tell a compelling and emotionally resonant story within the confines of an animated film. The film opens with a heart-wrenching montage that depicts the life of Carl Fredricksen and his late wife Ellie. This sequence, without any dialogue, manages to convey the deep love and connection between the couple, as well as the disappointments and unfulfilled dreams they experienced together. It is a testament to the power of visual storytelling and the ability of animation to evoke genuine emotions.
As the story unfolds, "Up" takes viewers on a thrilling and unpredictable adventure. Carl's decision to fulfill his lifelong dream of traveling to South America by attaching balloons to his house is both absurd and captivating. The film's ability to seamlessly blend elements of fantasy and reality creates a truly immersive experience. The animation is breathtaking, with vibrant colors and detailed landscapes that transport viewers into the world of "Up." From the floating house to the exotic wilderness of South America, every frame is a visual feast for the eyes.
Beyond its technical brilliance, "Up" also delivers powerful messages about the importance of love, friendship, and embracing life's adventures. Carl's relationship with Russell, a young Wilderness Explorer, is a testament to the transformative power of companionship. Their unlikely friendship teaches Carl the value of human connection and the joy that can be found in unexpected places. The film also explores themes of loss and grief in a sensitive and compassionate way, showing the healing power of acceptance and letting go.
In conclusion, "Up" is a film that transcends the boundaries of animated storytelling. With its emotional depth, stunning animation, and powerful messages, it is a cinematic gem that will leave a lasting impact on viewers of all ages. "Up" reminds us of the importance of cherishing our loved ones, pursuing our dreams, and embracing life's adventures. It is a true testament to the power of animation as a medium of storytelling and deserves its place among the greatest films of all time.
飞屋环游记的英文观后感 篇三
Given the inherent three-dime
nsional quality evident in Pixar's cutting-edge output, the fact that the studio's 10th animated film is the first to be presented in digital 3-D wouldn't seem to be particularly groundbreaking in and of itself.But what gives "Up" such a joyously buoyant lift is the refreshingly nongimmicky way in which the process has been incorporated into the big picture -- and what a wonderful big picture it is.
Winsome, touching and arguably the funniest Pixar effort ever, the gorgeously rendered, high-flying adventure is a tidy 90-minute distillation of all the signature touches that came before it.
It's also the ideal choice to serve as the first animated feature ever to open the Festival de Cannes, considering the way it also pays fond homage to cinema's past, touching upon the works of Chaplin and Hitchcock, not to mention aspects of "It's a Wonderful Life" "The Wizard of Oz" and, more recently, "About Schmidt."
Boxoffice-wise, the sky's the limit for "Up."
Even with its PG rating (the first non-G-rated Pixar picture since "The Incredibles"), there really is no demographic that won't respond to its many charms.
The Chaplin-esque influence is certainly felt in the stirring prelude, tracing the formative years of the film's 78-year-old protagonist, recent widower Carl Fredricksen (terrifically voiced by Ed Asner).
Borrowing "WALL-E's" poetic, economy of dialogue and backed by composer Michael Giacchino's plaintive score, the nostalgic waltz between Carl and the love of his life, Ellie, effectively lays all the groundwork for the fun stuff to follow.
Deciding it's better late than never, the retired balloon salesman depletes his entire inventory and takes to the skies (house included), determined to finally follow the path taken by his childhood hero, discredited world adventurer Charles F. Muntz (Christopher Plummer).
But he soon discovers there's a stowaway hiding in his South America-bound home in the form of Russell, a persistent eight-year-old boy scout (scene-stealing young newcomer Jordan Nagai), and the pair prove to be one irresistible odd couple.
Despite the innate sentimentality, director Pete Docter ("Monsters, Inc.") and co- director-writer Bob Peterson keep the laughs coming at an agreeably ticklish pace.
Between that Carl/Russell dynamic and Muntz's pack of hunting dogs equipped with multilingual thought translation collars, "Up" ups the Pixar comedy ante considerably.
Meanwhile, those attending theaters equipped with the Disney Digital 3-D technology will have the added bonus of experiencing a three-dimensional process that is less concerned with the usual "comin' at ya" razzle-dazzle than it is with creating exquisitely detailed textures and appropriately expansive depths of field.
There’s nothing better than an easy review: Pixar’s latest summer offering, UP, is a fantastic film. Simply fantastic. Seriously, if Ratatouille and Wall-E deserved to be in the running for Best Picture of the Year (as many said they did at the times of their releases) then UP certainly does.
It’s that good.